AERO(アエロ)
AERO / 100th Anniversary Maki-e Clock / Daisuke Matsuki / Raijin (Soutatsu) / Pocket Watch
AERO / 100th Anniversary Maki-e Clock / Daisuke Matsuki / Raijin (Soutatsu) / Pocket Watch
SKU:55700j5010411152
Regular price
¥680,000
Regular price
¥715,000
Sale price
¥680,000
Unit price
per
Taxes included.
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Specifications
This piece combines the traditional European craft of clock making with the ancient Japanese technique of maki-e.
To commemorate the 100th anniversary of the founding of AERO, which has been developing its products without change since 1910, a collaboration watch with Maki-e was born as an anniversary model. The Maki-e technique, designated as an Important Intangible Cultural Property of Japan, is beautifully expressed by top craftsmen using first-class techniques.
Each pocket watch is handcrafted, making it the only one in the world.
Biography
In 1989, he studied under traditional craftsman Sadahisa Kumano.
1993: The technical acquisition period begins
Independence in 1997
2003: Certified as a traditional craftsman (Minister of Economy, Trade and Industry designation No. 505738)
25th Ishikawa Prefecture Traditional Industry Skills Encouragement Award
39th Shin-in Exhibition Newcomer Award
Selected for the Shin-in Exhibition and four other times
Received the Encouragement Award at the 7th Kenrokuen Grand Tea Ceremony Crafts Exhibition
Received the Hokuriku Shimbun President's Award at the 10th Kenrokuen Grand Tea Ceremony Crafts Exhibition
Selected for the 12th Kenrokuen Grand Tea Ceremony Crafts Exhibition and other events 4 times
In 1989, he studied under traditional craftsman Sadahisa Kumano.
1993: The technical acquisition period begins
Independence in 1997
2003: Certified as a traditional craftsman (Minister of Economy, Trade and Industry designation No. 505738)
25th Ishikawa Prefecture Traditional Industry Skills Encouragement Award
39th Shin-in Exhibition Newcomer Award
Selected for the Shin-in Exhibition and four other times
Received the Encouragement Award at the 7th Kenrokuen Grand Tea Ceremony Crafts Exhibition
Received the Hokuriku Shimbun President's Award at the 10th Kenrokuen Grand Tea Ceremony Crafts Exhibition
Selected for the 12th Kenrokuen Grand Tea Ceremony Crafts Exhibition and other events 4 times
The origins of the Wind God and Thunder God painting (National Treasure)
If you visit Kenninji Temple in Kyoto, you'll be surprised to see the National Treasure "Wind God and Thunder God Screen" displayed in a room near the entrance, just like an ordinary folding screen. Of course, the original would not be displayed like an ordinary folding screen. The one displayed here is a replica. The original is usually kept on loan at the Kyoto National Museum.
The original painting bears neither a signature nor a seal, but is universally considered to be Sotatsu's greatest work. Sotatsu himself was likely drawn to the dynamic human charm of the Kamakura sculpture "Wind God and Thunder God Statue" found at Sanjusangendo Temple when creating this painting. To depict these images, Sotatsu borrowed the image of the thunder god depicted in the "Kitano Tenjin Engi-e" (Kōan-ban version).
There are many theories that this painting was created in his final years, after 1630, but the author would like to date it back to the end of the Genwa period, close to the time of the Yogen-in screen paintings, or at least the beginning of the Kan'ei period, before he was invested with the title of Hokyo.
The original painting bears neither a signature nor a seal, but is universally considered to be Sotatsu's greatest work. Sotatsu himself was likely drawn to the dynamic human charm of the Kamakura sculpture "Wind God and Thunder God Statue" found at Sanjusangendo Temple when creating this painting. To depict these images, Sotatsu borrowed the image of the thunder god depicted in the "Kitano Tenjin Engi-e" (Kōan-ban version).
There are many theories that this painting was created in his final years, after 1630, but the author would like to date it back to the end of the Genwa period, close to the time of the Yogen-in screen paintings, or at least the beginning of the Kan'ei period, before he was invested with the title of Hokyo.
Works that serve as benchmarks for considering the development of his style include the sliding screen paintings at Yogen-in and Muryoju-in temples at the end of the Genwa period, and the colored paper painting "Tales of Ise," which is thought to have been created around 1638.
The style shown in these works shows a shift from the powerful, youthful, and wild style of his late Genna period to a more delicate, lyrical style in 1625, gradually becoming more influenced by imperial tastes. Perhaps these works also represent the process of Sotatsu's transformation into a townsman painter.
When we consider the transition in Sotatsu's style in his later years, the creation of the "Wind God and Thunder God" screen inevitably dates back to a period close to the time when he was creating the Yogen-in screen paintings.
Takeshi Yamakawa
The style shown in these works shows a shift from the powerful, youthful, and wild style of his late Genna period to a more delicate, lyrical style in 1625, gradually becoming more influenced by imperial tastes. Perhaps these works also represent the process of Sotatsu's transformation into a townsman painter.
When we consider the transition in Sotatsu's style in his later years, the creation of the "Wind God and Thunder God" screen inevitably dates back to a period close to the time when he was creating the Yogen-in screen paintings.
Takeshi Yamakawa
Tawaraya Soutatsu
His birth and death years are unknown, but he is said to have been an Edo period painter active mainly from the Keicho to Kan'ei eras (1596-1643). He is also commonly known as Nonomura Sotatsu. There are many biographies about him, including his well-known style and influence on later generations, but at the same time, they are all uncertain, so the truth is unknown.
He was not just a fan painting craftsman, but also has a history of being involved in the restoration of the Heike nokyo (pillared sutras). He is believed to have been active in many areas, including receiving commissions from the Imperial family. Although he was undoubtedly a first-class painter, he was not highly regarded from the late Edo period through the Meiji period, but his reputation was reassessed in the Taisho period and continues to this day.
His birth and death years are unknown, but he is said to have been an Edo period painter active mainly from the Keicho to Kan'ei eras (1596-1643). He is also commonly known as Nonomura Sotatsu. There are many biographies about him, including his well-known style and influence on later generations, but at the same time, they are all uncertain, so the truth is unknown.
He was not just a fan painting craftsman, but also has a history of being involved in the restoration of the Heike nokyo (pillared sutras). He is believed to have been active in many areas, including receiving commissions from the Imperial family. Although he was undoubtedly a first-class painter, he was not highly regarded from the late Edo period through the Meiji period, but his reputation was reassessed in the Taisho period and continues to this day.
Made from 100% silk
The Maki-e pocket watch comes with a special hanging cord. Each cord is carefully hand-woven by a traditional Kyoto Nishijin obi-jime craftsman.
The material is dyed raw silk (100% silk) for a luxurious finish. When you hold it in your hand, you can feel the unique softness and suppleness of silk.
It is finished with the famous Kakuyatsu Tatebetsu Shosoin Iri braided cord. The high-quality braided cord, worthy of a watch, adds a Japanese touch to the Maki-e pocket watch, making it even more luxurious.
A watch that expresses the beauty of lacquer throughout
Aero's pocket watches are decorated with the traditional Japanese technique of maki-e. They are a fusion of Swiss watchmaking technology and the Japanese tradition of maki-e, making them a precious timepiece that should be passed down to future generations.
This is a luxurious masterpiece, entirely handcrafted by lacquerware craftsman Daisuke Matsuki, depicting a painting by Sotatsu, whose history is still shrouded in mystery.
This is a one-of-a-kind pocket watch that exudes the warmth that can only come from being handmade and will become a treasured item for a lifetime.
This is a luxurious masterpiece, entirely handcrafted by lacquerware craftsman Daisuke Matsuki, depicting a painting by Sotatsu, whose history is still shrouded in mystery.
This is a one-of-a-kind pocket watch that exudes the warmth that can only come from being handmade and will become a treasured item for a lifetime.
It is possible to engrave up to five characters on the inside of the cover.
It is possible to engrave gifts for loved ones or messages to be passed down for generations to come.
Just like the maki-e lacquerware that is handmade by artisans, you can have your original mark engraved on a one-of-a-kind picture, transforming it into an even more valuable, personalized watch.
It is possible to engrave gifts for loved ones or messages to be passed down for generations to come.
Just like the maki-e lacquerware that is handmade by artisans, you can have your original mark engraved on a one-of-a-kind picture, transforming it into an even more valuable, personalized watch.
| Windproof | Mineral crystal glass |
|---|---|
| Case material | 18k gold plated |
| Case diameter | Approximately 49mm |
| Case Thickness | Approximately 12 mm |
| Weight | 76g |
| Movement | Manual winding (ETA/UNITAS Cal. 6498-2) 17 jewels |
| waterproof | non-waterproof |
| Manufacturer's warranty | 2 years (Authorized Aero Watch Dealer) |
| accessories | Delivered with a dedicated chain, warranty card, instruction manual, and dedicated box |
Recommended pocket watch accessories
The decorative parts of the pocket watch may be subject to slight changes.
The decorative parts of imported brand pocket watches may be changed without notice. Please be assured that such changes to the design and details will not affect the quality or functionality of the watch.
